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The Murals

Introduction

Modern Surgery and Anesthesia

Modern Surgery and Anesthesia

Modern Surgery and Anesthesia

Pursuit of Happiness

Recreation in Harlem

Conserving the Murals

The Artists

The Controversy

The WPA in Harlem

The Murals | Modern Surgery and Anesthesia

Alfred D. Crimi, the only white person employed as a master artist for the Harlem Hospital murals project, was originally commissioned to paint a series of five fresco panels for the Medical Board Room, but he only completed one before leaving to work on another federally sponsored art project in Washington, D.C. He based the subjects for his series on the history of medicine, and conducted rigorous historical research for the five murals, which were to be titled: Primitive CureEgyptian EmbalmingThe ResurrectionistsQuack Doctors, and Modern Surgery and Anesthesia.

In his research for the only completed mural, Modern Surgery and Anesthesia, Crimi spent two weeks at the newly built Kings County Hospital, which was installed with modern equipment. There, the hospital supervisor's personal secretary gave Crimi tours of all of the hospital's departments, and he was allowed to watch a brain surgery. He based his mural on his observation of the precise coordination and intense concentration of the surgical team. Modern Surgery and Anesthesia stands out from the other murals at Harlem Hospital because it depicts only white subjects. Despite this fact, the artist writes in his autobiography that he still encountered opposition from the hospital's supervisor and staff, who, according to Crimi, called the WPA artists "dole collectors and free loaders."

 

Detail, Charles Alston, Modern Surgery and Anesthesia, oil on canvas, 1940.

 

Detail, Charles Alston, Modern Surgery and Anesthesia, oil on canvas, 1940.

 

Detail, Charles Alston, Modern Surgery and Anesthesia, oil on canvas, 1940.

 

Detail, Charles Alston, Modern Surgery and Anesthesia, oil on canvas, 1940.

 

Detail, Charles Alston, Modern Surgery and Anesthesia, oil on canvas, 1940.

 

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